Directed by: Ayan
Mukherjee
Starring: Ranbir Kapoor,
Deepika Padukone, Kalki Koechlin, Aditya Roy Kapoor
Released: 2013
Verdict: destroy every
copy ? horrible ? bad ? whatever ? flawed but enjoyable -
good ? great ? amazing
While Yeh Jawaani Hai
Deewani belongs into the Bollywood?s favourite category of young
romance, which sustained the industry for decades and will continue
to do so, the film?s resounding success at the box office and with
critics has, in my opinion, more to do with maturity that the story
is weaved through with as well as some truly beautiful dialogues,
than with a clich?d yet forever working formula it uses. YJHD has
many factors going for it, even though it is not the best movie ever
(or of decade ? it might be of the year if nothing better comes) ?
from interesting cast, catchy music numbers, as much realism as you
can hope for in a commercial Bollywood movie (by which I mean you
must not question a girl who goes trekking in the snow in a mini
skirt) to a cuddly embrace of what is probably the best jodi of the
new generation.
Three best friends ?
Bunny, Aditi and Avi ? decide to go on a trekking trip to Manali.
Joining them is Naina, a dutiful, homely, aspiring-to-be-a-doctor
girl, who just feels like she needs a change for a while. She is
quickly accepted by the three outgoing friends and to her great
amusement and amazement she watches and later joines them in their
carefree attitude and antics. Before the trip is over she falls in
love with Bunny, but when she find out he is planning to leave India
to study abroad, and that his dreams are to travel the whole world,
she decides not to ruin the moment and keeps her first love as a
cherished memory. 8 years later the four friends are reunited, all
grown up. Aditi is getting married, Avi is a bar owner gone bankrupt,
Naina is a doctor. Just Bunny seems to be still the same, with dreams
of seeing everything and never stopping at one place. Will Naina?s
old feelings be rekindled? Will Bunny feel it too? Will it stop him
in his eternal hunt for something new?
As said before the plot is
nothing ground-breaking or new. And there sure was no need for the
stereotypical transformation of a ?normal? girl into a goddess of
oomph by simply putting off glasses (at least nobody even dared to
hint Naina with glasses would be ?ugly? - a blasphemy forced upon
Juhi Chawla in Aaina). However the way Naina, and later also her
friends think, is very mature. Matters of the heart are important,
but sometimes it is necessary to not allow things happen ? and just
as important is to go on and not spend your life miserable and
whining, because, after all, there is much to do and much to fill it
with. This attitude is extremely rare in films. Naina doesn?t
nurture hopes that seem futile, because she knew she would end up
hurting. Aditi realizes that one-sided crush would make her
miserable, and settles for a less attractive, but completely loving
guy, who ?makes her happy?. What a change from all the selfish
wrist cutting inflicted upon us around the same time in another
?romantic? film.....
After emotions-packed
Rockstar and extremely heart-touching Barfi, Yeh Jawaani Hai Deewani
shows Ranbir Kapoor in another different kind of romantic
relationship, in which he actually doesn?t know he is until the very
end. He doesn?t disappoint and delivers a very good performance ?
something we associate him with for some time now. However it is
Deepika Padukone who really comes to her own in the film. Last year
she was wonderful in Cocktail, and now she confirms it was definitely
not some monetary fluke of luck. She is growing as a performer right
in front of our eyes! The chemistry between the two is wonderful.
Aditya Roy Kapoor doesn?t have much to do, and his character was a
bit..... left out really. His drinking problem actually made me
wonder if he was switching between the sets of YJHD and Aashiqui 2
and he kinda forgot in which one he was at the moment. Kalki, on the
other hand, is a complete darling. There is much to relate to in all
of the characters. I found a bit of myself in the shy, quiet Naina
from the first half. Who wants to have fun, but it is not easy for
her to just throw herself into it. It was also nice that the twist
did not lie in making a homely girl the Queen of society, neither it
was showing that spending your life abroad doesn?t compare to desi
homeland. Both Naina and Bunny learn something, adjust themselves to
it and make it part of their own personality. They grow up.
Plot may be bland but the
script and direction are winners. As is gorgeous cinematography and
play of colours and hues used to enhance the beauty of landscapes and
clothes. Much like with his previous venture ?Wake Up Sid? Ayan
Mukherjee chooses a slow, even tedious narrative, delving into the
feeling of a moment rather than rushing ahead for the sake of
somebody not getting bored. If you get bored, that is pretty much
your problem, and Ayan is unapologetic.
I need to mention ?Ghagra?
- the very much hyped special song picturized on Madhuri Dixit. It
was a fine song, a good dance number, Madhuri looked gorgeous and to
see her with Ranbir was wonderful! It was all too much fun and I
loved she also got to mouth several poetic dialogues before the music
broke out. That said, Ghagra somehow doesn?t fit the rest of the
film. It is brilliant as a separate video, but in the film it does
not really serve any purpose and even from the way the costumes and
sets look it is clear this bit was quite rushed and added at the last
minute. But whatever. I was happy to see Madhuri dance ? and
thankfully Ghagra turned out quite progressive ? as a song in which
a younger guy is attracted to and charmed to an older woman ? she
did not stop being attractive and charming just because she hit 40.
Beautiful actors,
beautiful performances, beautiful music, simple story, Madhuri.....
What?s not to love?
No comments:
Post a Comment