Showing posts with label J.K. Simmons. Show all posts
Showing posts with label J.K. Simmons. Show all posts

Sunday, 20 December 2015

Terminator Genisys

***DISCLAIMER*** The following review is entirely my opinion. If you comment (which I encourage you to do) be respectful. If you don't agree with my opinion (or other commenters), that's fine. To each their own. These reviews are not meant to be statements of facts or endorsements, I am just sharing my opinions and my perspective when watching the film and is not meant to reflect how these films should be viewed. Finally, the reviews are given on a scale of 0-5. 0, of course, being unwatchable. 1, being terrible. 2, being not great. 3, being okay. 4, being great and 5, being epic! And if you enjoy these reviews feel free to share them and follow the blog or follow me on Twitter (@RevRonster) for links to my reviews and the occasional live-Tweet session of the movie I'm watching!  So, he really wasn't lying when he said he'd be back.



Terminator Genisys ? 3 out of 5


In a world where knee-jerk reactions of hatred and outrage are things that are considered normal behavior (but only for things like movies, reboots and casting non-white actors to play comic book characters that are usually depicted as Hitler?s wet dream?if you dare get pissed about things like sexism, racism or rape culture, you?re then assaulted by the people bitching about female Ghostbusters and guys who really hate women having opinions on video games and are told that you are just whiners and offended by everything), anyway, everyone was quick to start throwing hate at the new installment to the Terminator franchise when it was announced it was going to happen..  Meanwhile, I watched the trailer and said, ?Sure, I?ll watch it.?  I keep forgetting that I?m supposed to just instantly hate everything.  I?ll guess I?ll never truly belong on the internet because I tend to reserve extreme opinions until I actually witness the product.  Anyway, after days of judgment, machines doing their rising thing and some salvation given to us by Batman?s gravel voice, Arnie is back in Terminator Sega Genisys.

So...the machines just couldn't invent a self-driving truck?  Google did it.

The endless time loop war!
In 2029, the savior of the human race John ?When will this fucking machine war end? Connor (Jason Clarke) launches his major assault in the attempt to stop Skynet from ruling the planet.  Like we?ve seen, the machines sent back a T-800 series model to kill Sarah Conner in the past in order to stop the Resistance from being created since Sarah is John?s mother.  In an effort to protect both his mommy and his creation, John sends his father; Kyle Reese (Jai Courtney) back in time with the mission to stop the T-800 and to protect Sarah?and also to protect his privates because they have to do baby-making things.  However, things take quite a turn compared to the last time we saw Kyle?s journey through time and he witnesses a new machine attack John.  Now, somehow, the timeline has changed and Kyle?s mission isn?t what it was going to be.  He arrives and finds Sarah (Emilia Clarke) is already a badass and trying to stop Skynet from going live and nuking the world.  Now, together, Sarah and Kyle?alongside a T-800 that was send back to protect her when she was a child and she now lovingly refers to as Pops (Arnold Schwarzenegger)?use a cobbled together time machine to transport themselves to 2017 in order to stop Skynet?which is disguising itself as a worldwide operating system called ?Genisys.?  The mission seems straightforward enough until they run into John and learn he is no longer the hero he once was destined to be.

Holy shit!  That is cool.

I won?t say I walked into this one with high hopes.  The first film is awesome and created something completely unheard of in the world of sci-fi when it came out and the sequel was one of those few films that was, in my opinion, actually better than its predecessor and instantly became a classic action film that still holds up today.  The third film wasn?t the best thing I?ve seen, in my opinion, but there were some cool parts to it and, despite my really hoping for something dark, gritty and exciting with Salvation, I found the fourth one to be ?ber-disappointing.  So, naturally, I wasn?t foaming at the mouth for Genisys?buuuut, I will honestly say that seeing the first trailer had me interested at the idea of a new alternate timeline, some sweet looking action, a return of Arnold in his prime form and a plot twist that realistically shouldn?t have been in the trailer but really showed how this film can be different from the others and a possible game-changer.

The shot so cool, they have to put it in every freaking movie!

There?s a lot of flaws holding this addition to the franchise down and keeping it from being on the same level and becoming an instant classic like the first two films but the film does have enough working for it that it?s fairly decent.  The film?s opening feels like it is right out of the 2nd film and manages to craft the same tone?something completely unseen in Salvation?a film that felt like all the Terminator elements were added on later in order to shoe-horn it into the franchise.  The computer effects are fantastically good and absolutely breathtaking at points.  The action has some really cool fight scenes between the machines and some killer big action pieces that are amazingly exciting and unique.  And, finally, the new time travel components may work against the film by making the timelines in this franchise very convoluted but it also sets this film apart from the rest of the films and doesn?t feel like just another ?let?s send another, different robot back in time to kill John? story.  

Way, way, way better than CG Auhnold in Salvation.

Seriously, great CG but they can't get decent makeup
effects?  That looks like it was done from an off-the-shelf
makeup set from a Halloween Express.
Additionally, many members of the film?s cast really helped this film flow and be more entertaining than I thought it was going to end up.  Jason Clarke is pretty cool as John Connor?even though this is once again a new actor playing John and they are once again playing the character completely different than everyone else did (also, those facial scars they added to him looked super fake and were very distracting).  J.K. Simmons is here and playing a very fun character who recognizes Sarah and Kyle in 2017 from when he was a young officer being saved by Kyle when he traveled back to the 80s.  Emilia Clarke does a great job of filling Linda Hamilton?s boots as Sarah Connor and Arnold, as usual in this franchise, steals the show as the now older T-800 model Pops.

J.K. Simmons is awesome in everything he does.  Please, please, please, PLEASE have
him come back as J. Jonah in the MCU.

She does kinda look like Hamilton, I'll say that.
However, for all the good the film has, it still has a lot of flaws that hurt it and really stopped it from feeling like an adequate addition and something that belongs in the same league as the first and T2.  For example, the movie overdoes the nods and winks to the previous films and it quickly stops feeling like homages to what came before it and fun bits of nostalgia and quickly just feels like this franchise is just endlessly repeating itself and actively going against trying to pave new ground.  Some of the action scenes that are more bullets flying-based feel mediocre and pretty standard action movie stuff that doesn?t really stand out.  There?s some truly awful jokes?like one involving the Cops theme (but that one was at least saved by Arnie) and there is absolutely no chemistry between Jai Courtney and Emilia Clarke.  This part really hurts the film because the relationship that develops between Kyle and Sarah in the first film felt so natural and in this, due to the absence of chemistry and some bad writing (and a really bad performance), the relationship feels wholly unnatural and extremely forced.

Arnie just makes this stupid shit work.

Seriously, Smith brought nothing to this role that any
hungry actor with no career couldn't have done.
Finally, one of the worst parts about this film is the performance of Jai Courtney.  There were other members of the cast that had some issues like having an actor like Matt Smith, who just came off a very iconic role, play a character that, realistically, could have been played by anyone because Smith really didn?t bring anything of note to the part.  Additionally, Emilia Clarke?s delivery of lines occasionally is super cheesy and she never truly feels like the Sarah Connor we know (but a different timeline kinda explains that one away).  However, at the core, she still has a gooey, caramel center that is the Connor we?ve see.  Courtney, on the other hand, lacks this and never once feels like he is Kyle Reese.  It?s bad enough that his performance is very bland and flat but the fact he never, ever comes close to being the character that Michael Biehn made famous in the first film feels very tragic and a wasted opportunity from the production.  This very boring and uninteresting performance from Courtney only made the piss-poor developed and lazily forced relationship between Kyle and Sarah only look worse by the time the film was over.

I'd hate to post blame on a film on one person but, seriously, Courtney was just
that bland in this film.

I won?t go as far as to say that Terminator Genisys is bad or a waste of time.  It?s definitely more entertaining than Salvation but I think I would say it?s about equal to the third film?it?s not great but it has its moments (amusingly enough that this film actually retcons the existence of those two films).  The film definitely had some potential it was striving for and, even though it suffers from a moment or two of really lazy writing, the film was pretty ambitious.  Heck, even James Cameron gave the film his approval and has labeled it his ?official? third film in the franchise?he basically told Rise of the Machines and Salvation to go fuck themselves.  Genisys is, without a doubt, serviceable in its entertainment and Arnold is all kinds of fun in his role but, at the end of it all, it?s still another just functioning sequel added to this franchise?s already growing list of only functioning sequels.

Fun Fact:  That's the original T-1000 Robert Patrick on the left there making a quick
cameo.
 

Sunday, 1 November 2015

Film Babble Blog?s Top 10 Movies of 2014 (Plus Their Key Lines)


Since the Oscar nominations were announced a week ago, and I?m pretty caught up on all the major, and not so major, movies of 2014, it?s time to list my 10 favorite films of last year (plus some spillover). This time instead of providing a blurb for each entry, I?m going to only highlight a key line, or at least what I think is one of the most memorable, for each movie. Also, unlike in previous year?s lists, I?m listing them from 10 down to 1. Click on the film's titles to read my original reviews:

10. CALVARY (Dir. John Michael McDonagh)


Father James Lavelle (Brendan Gleeson): ?The commandment ?Thou shalt not kill? does not have an asterisk beside it, referring you to the bottom of the page where you find a list of instances where it's okay to kill people.?

9. ONLY LOVERS LEFT ALIVE
(Dir. Jim Jarmusch)


Adam (Tom Hiddleston): ?You drank Ian.?

(Dir. Wes Anderson)



M. Gustave (Ralph Fiennes): ?The most dreadful and unattractive person only needs to be loved and they will open up like a flower.?
Also: ?I sleep with all my friends.?

(Dirs. Phil Lord & Christopher Miller)


Vitruvius (Morgan Freeman): ?The only thing anyone needs to be special is to believe that you can be - I know that sounds like a cat poster, but it?s true.?

6. INHERENT VICE (Dir. Paul Thomas Anderson)



Dr. Rudy Blatnoyd, D.D.S. (Martin Short): ?It?s not groovy to be insane.?

5. SELMA (Dir. Ava DuVernay)



Martin Luther King (David Oyellowo): ?That means protest! That means march! That means disturb the peace! That means jail! That means risk! That is hard!?

4. WHIPLASH (Dir. Damien Chazelle)



Fletcher (J.K. Simmons): ?My dear god, are you one of those single tear people??

3. LIFE ITSELF (Dir. Steve James)



Roger Ebert: ?Look at a movie that a lot of people love and you?ll find something profound no matter how silly the film may seem.?

2. BIRDMAN (Dir. Alejandro Gonz?lez I??rritu)




Riggan Thomson as his inner Birdman (Michael Keaton): ?People, they love blood. They love action. Not this artsy fartsy, philosophical bullshit?

1. BOYHOOD (Dir. Richard Linklater)


?Never leave your mother?s womb, unless you wanna see how hard a broken heart can swoon.? - Tweedy (from the end credits song ?Summer Noon?)

And now, in no particular order, a bunch of 2014 spillover, with a few of their key lines too:

EDGE OF TOMORROW (Dir. Doug Liman) ?Okay, first of all, terrific presentation. Just Terrific.?

FRANK (Dir. Lenny Abrahamson)

NIGHTCRAWLER (Dir. Dan Gilroy)  ?Do you know what fear stands for? False Evidence Appearing Real.?

WILD (Dir. Jean-Marc Vall?e)

THE RAID 2 (Dir. Gareth Evans)


GUARDIANS OF THE GALAXY (Dir. James Gunn): ?It's got a real shining-blue suitcase, Ark of the Covenant, Maltese Falcon sort of vibe.?

FORCE MAJEURE (Dir. Ruben ?stlund)

A MOST VIOLENT YEAR (Dir. J.C. Chandor)

GONE GIRL (Dir. David Fincher) ?We're so cute. I wanna punch us in the face.?

UNDER THE SKIN (Dir. Jonathan Glazer)

JOHN WICK (Dir. David Leitch & Chad Stahelski)?Oh.?

All in all, not a bad year for film.

More later...

Saturday, 31 October 2015

Film Babble Blog?s Top 10 Movies of 2014 (Plus Their Key Lines)


Since the Oscar nominations were announced a week ago, and I?m pretty caught up on all the major, and not so major, movies of 2014, it?s time to list my 10 favorite films of last year (plus some spillover). This time instead of providing a blurb for each entry, I?m going to only highlight a key line, or at least what I think is one of the most memorable, for each movie. Also, unlike in previous year?s lists, I?m listing them from 10 down to 1. Click on the film's titles to read my original reviews:

10. CALVARY (Dir. John Michael McDonagh)


Father James Lavelle (Brendan Gleeson): ?The commandment ?Thou shalt not kill? does not have an asterisk beside it, referring you to the bottom of the page where you find a list of instances where it's okay to kill people.?

9. ONLY LOVERS LEFT ALIVE
(Dir. Jim Jarmusch)


Adam (Tom Hiddleston): ?You drank Ian.?

(Dir. Wes Anderson)



M. Gustave (Ralph Fiennes): ?The most dreadful and unattractive person only needs to be loved and they will open up like a flower.?
Also: ?I sleep with all my friends.?

(Dirs. Phil Lord & Christopher Miller)


Vitruvius (Morgan Freeman): ?The only thing anyone needs to be special is to believe that you can be - I know that sounds like a cat poster, but it?s true.?

6. INHERENT VICE (Dir. Paul Thomas Anderson)



Dr. Rudy Blatnoyd, D.D.S. (Martin Short): ?It?s not groovy to be insane.?

5. SELMA (Dir. Ava DuVernay)



Martin Luther King (David Oyellowo): ?That means protest! That means march! That means disturb the peace! That means jail! That means risk! That is hard!?

4. WHIPLASH (Dir. Damien Chazelle)



Fletcher (J.K. Simmons): ?My dear god, are you one of those single tear people??

3. LIFE ITSELF (Dir. Steve James)



Roger Ebert: ?Look at a movie that a lot of people love and you?ll find something profound no matter how silly the film may seem.?

2. BIRDMAN (Dir. Alejandro Gonz?lez I??rritu)




Riggan Thomson as his inner Birdman (Michael Keaton): ?People, they love blood. They love action. Not this artsy fartsy, philosophical bullshit?

1. BOYHOOD (Dir. Richard Linklater)


?Never leave your mother?s womb, unless you wanna see how hard a broken heart can swoon.? - Tweedy (from the end credits song ?Summer Noon?)

And now, in no particular order, a bunch of 2014 spillover, with a few of their key lines too:

EDGE OF TOMORROW (Dir. Doug Liman) ?Okay, first of all, terrific presentation. Just Terrific.?

FRANK (Dir. Lenny Abrahamson)

NIGHTCRAWLER (Dir. Dan Gilroy)  ?Do you know what fear stands for? False Evidence Appearing Real.?

WILD (Dir. Jean-Marc Vall?e)

THE RAID 2 (Dir. Gareth Evans)


GUARDIANS OF THE GALAXY (Dir. James Gunn): ?It's got a real shining-blue suitcase, Ark of the Covenant, Maltese Falcon sort of vibe.?

FORCE MAJEURE (Dir. Ruben ?stlund)

A MOST VIOLENT YEAR (Dir. J.C. Chandor)

GONE GIRL (Dir. David Fincher) ?We're so cute. I wanna punch us in the face.?

UNDER THE SKIN (Dir. Jonathan Glazer)

JOHN WICK (Dir. David Leitch & Chad Stahelski)?Oh.?

All in all, not a bad year for film.

More later...

Tuesday, 27 October 2015

Whiplash

***DISCLAIMER*** The following review is entirely my opinion. If you comment (which I encourage you to do) be respectful. If you don't agree with my opinion, that's fine. To each their own. These reviews are not meant to be statements of facts or endorsements, I am just sharing my opinions and my perspective when watching the film and is not meant to reflect how these films should be viewed. Finally, the reviews are given on a scale of 0-5. 0, of course, being unwatchable. 1, being terrible. 2, being not great. 3, being okay. 4, being great and 5, being epic! And if you enjoy these reviews feel free to share them and follow the blog or follow me on Twitter (@RevRonster) for links to my reviews and the occasional live-Tweet session of the movie I'm watching! I got nothing to put here...except that I'm kinda hungry and would really like some chocolate donuts right now.


Whiplash ? 4 out of 5


I was in band in grade school. I played the clarinet and, me thinks, that this fact makes it completely realistic to believe that I can relate to this film?.ah, fuck. Who am I kidding? I wanted to play the drums in band but I ended up playing the fucking clarinet. I wanted to be the Miles Teller in this film and rock the shit out of those drums?I guess that?s how I can relate to Whiplash.
Okay...now that we're getting a new Spider-Man series that will exist in the MCU, can we
please have Simmons come back to play J. Jonah Jameson?  Please?

Play a jazz version of "Freebird!"
Andrew (Miles Teller) is attending the highly acclaimed Shaffer Conservatory music school in New York and dreams of being the next big drummer to beat the world into oblivion with his sweet kicks (or whatever slang that drummers use). While there, he is granted to be an alternate in conductor Terrence Fletcher?s jazz band. There, he is berated and verbally abused by the teacher and is pushed to be a better drummer. Andrew becomes so obsessed with being better than Fletcher expects from him that he practices until his hands bleed, he hurts his relationship with a potential girlfriend (Melissa Benoist), and even flees the scene of a car accident in order to get to a performance. However, soon both world?s of these two men come crashing down and the stage is set for Andrew to finally be the best and win over Fletcher?s respect and approval.
"I SAID PLAY 'WIPEOUT!'"

I had some reservations about this film. I didn?t know if I would dig the story but wanted to see it for J.K. Simmons, I?m a big fan of the guy. My biggest hang-up with this film was Miles Teller as the struggling but determined drummer. I?m not a fan of the guy. I didn?t care for his douchy character in 21 & Over (albeit, that film had a lot more wrong with it than just Teller) and I?ve never really seen a part played by him that really spoke to me. This one changed that.
Playing Expert on drums can do that to you when you desperately want to get 5-stars.
(Yep, my Rock Band references are dated.  But don't worry, there will be another one
coming up!)

While I will admit that Teller isn?t as memorable in this film as Simmons is, I have to say he was a lot better than I was prepared for. Teller really captured a magical mix of a fiercely determined musician and a completely arrogant and petty kid who only is looking out for himself and his best interest. Of course, by the end, Andrew realizes he was kinda stupid and learns all this when his world comes crashing down thanks to his own bullheadedness but Teller perfectly captured that growth and those characteristics. From watching him smirk over someone else being belittled by Fletcher, seeing his cockiness when he belittles others? achievements to seeing his heartbreak when he realizes he might not achieve his dream or didn?t act on his feelings with a girl he met felt realistic and wasn?t just another example of wooden acting I?ve seen from him like in Divergent.
"So, uh, what are you doing later?  Wanna grab a frozen yogurt or something?"

The highlight, for me, in this film was the truly epic performance from J.K. Simmons. I?ve never seen him play a role badly?ever?but the man continues to prove to me that he is clearly some celestial being because no mortal man can act the way he does. Sure, the character of Fletcher is very un-PC and says some truly horrific and shocking things but it makes the character legit and when I see Simmons in action, I don?t see him as an actor playing a role. Instead, I seen him as the role he?s playing. He always becomes the character and this abusive, asshole-ish character felt real and believable thanks to Simmons? ability to immerse himself in the character he?s playing.
Okay-sign or playing a tiny violin?

Truly, theirs was a romance for the ages.
The only real complaint I have about the film is the fact I feel the character of Nicole?the potential girlfriend of Andrew that gets thrown aside in his obsessed rush to be the best drummer?felt a tad superfluous. As the film opens, we see him court her and then it is only implied, very weakly. that they continued to see each other after their first date. When Andrew says that he needs to focus on his music and can?t have her possibly hold him down and breaks up with her, I found myself saying, "Oh, I guess they were dating this entire time." Granted, this element helps later when Andrew is at his lowest and is returning to music but, in the end, it didn?t feel needed and the film could have easily existed without her.  Matters aren't helped that her screen time is so limited that you can even gauge if she's doing a good job or not.  In fact, it might have been better to leave her out and focus more on the relationship with Andrew's father (played by Paul Reiser).
Is he mad about his dad?  Eh?  I'll be here all week!

Overall, I really enjoyed Whiplash. Miles Teller is better than I?ve ever seen from him and J.K. Simmons is incredible in his role. The story is pretty formulaic but it definitely works. I had one real complaint in the story and the movie might not have a lot of replay value for me but the film looks great, is edited fantastically, and the riotous drum numbers are enough to make me forget I once played the clarinet and finally get the drive to take up the drums?and stop pretending to play the drums on a Rock Band controller (see, I told you there would be a second Rock Band reference).