Showing posts with label Joel Edgerton. Show all posts
Showing posts with label Joel Edgerton. Show all posts

Thursday, 26 November 2015

The Gift

***DISCLAIMER*** The following review is entirely my opinion. If you comment (which I encourage you to do) be respectful. If you don't agree with my opinion (or other commenters), that's fine. To each their own. These reviews are not meant to be statements of facts or endorsements, I am just sharing my opinions and my perspective when watching the film and is not meant to reflect how these films should be viewed. Finally, the reviews are given on a scale of 0-5. 0, of course, being unwatchable. 1, being terrible. 2, being not great. 3, being okay. 4, being great and 5, being epic! And if you enjoy these reviews feel free to share them and follow the blog or follow me on Twitter (@RevRonster) for links to my reviews and the occasional live-Tweet session of the movie I'm watching!  No, this isn't the Sam Raimi film also called The Gift where Katie Holmes does a nude scene.  Sorry to anyone who stumbled upon this review during their naughty Google search.



The Gift ? 3 out of 5


If you would have told me five years ago that Michael Bluth and a young Owen Lars would be in a thriller together, I would have said, "How did you get into my house?"  I would then immediately apologize because that is just impolite and then I would ask you if you would like a Ginger Ale and some Nutter Butters.  Then, after we've had our snacks, I'd politely ask you again how you were able to enter my house and, after you've give me an adequate explanation, I would answer your first question and say that I don't think I could see Jason Bateman--a known funnyman--and Joel Edgerton--a legitimate acting god with amazing amounts of talent--coming together to make a suspenseful feature.  However, I would have ultimately been wrong about that but hope my hospitality would have made up for any rudeness you would have felt when I didn't believe you about the film.


Another talent you can add to Edgerton's already overflowing talent list:  Looking
creepy as fuck in this film.

Holy Shit!  There's a gift in The Gift!
Simon Callum (Jason Bateman) and his wife Robyn (Rebecca Hall) are out to start a new life and move from Chicago to the suburbs of Los Angeles.  Simon has a new job and the two are hoping to start a family; however, one day, they run into a man named Gordon ?Gordo? Moseley (Joel Edgerton).  Gordo is a man from Simon?s past and he immediately tries to insert himself into their lives and strike a new friendship with the couple.  Gordo is a little on the strange side and despite the fact that Robyn is trying to give him the benefit of the doubt, Simon wants Gordo gone.  When he attempts to remove the man from their lives, things start to get scary and Robyn soon learns that something traumatic happened to them when they were younger and that her husband might not be the man she thinks he is?

Pfff, that's the worst shower door steam art I've ever seen.

For Joel Edgerton?s feature film directorial debut (he directed a few shorts before?also, he wrote the film.  He was a busy bee on this film.), The Gift is fairly well put together.  Edgerton really knows how to set up some creepy scenes, build an intriguing and captivating story and his acting ability really helped make his character of Gordo unsettling but a bit sympathetic as well.  Overall, the film is well crafted and is a decent thriller but doesn?t end up being a prime example of the genre.

They play a very well-off couple.  That's because there's always money
in the banana stand.

I already stated that Edgerton is doing a great job both behind the camera and in front of it but he?s matched by some excellent performances from Rebecca Hall and Jason Bateman.  Hall I?ve seen do excellently in other films but seeing Bateman do something like The Gift was completely new territory.  I?m so used to seeing him be the straight man in comedies that I was filled with a mixture of curiosity and apprehension to see him do something so drastically different.  However, he was absolutely incredible in this role and it really just showed that this man has way more talent that I ever truly realized.

Wendell Pierce is in the film, playing his contractually
obligated role of playing a detective.
The story to The Gift is simple and a prime breeding ground for some unnerving sequences.  Occasionally, the film completely succeeds with this formula and, simultaneously, did a tremendous job of making me foam at the mouth to know what exactly Simon did to Gordo to incur the man?s wrath.  However, the film is dragged down by its plot very slowly establishing itself and the main points of the story feeling like they are actively trying to stretch itself out.  Sometimes, when major plot points come into play, the reveal will be held back in order to create suspense.  Often this works to create further intrigue and it melted me into the story even more but sometimes Edgerton stretches out the reveal to painful levels and it begins to take away from the tension and suspense and starts to feel more like he?s just trying to make the story and film feel longer.  The Gift already suffers from having a story that feels like it is taking a long time to establish itself and, even worse, the suspense and thrills take even longer to really start to show up so having big reveals that will create more mystery or answer some of the film?s questions kinda/sorta makes the film boring at times.

"This note just says, 'Do You Like Me?  Check Yes or No.'  Why would
Gordo leave that?"

Visually, the film looks amazing and rich, the music used really helps craft a tone of potential terror around every corner, the performances might be the best part about it and the characters are deep and excellently written; however, the slow building story does hurt the film badly.  Ultimately, this slow build does culminate in a terrific ending and the film does do a great job of making you wonder who the true antagonist is but when you combine the slow moving plot and the fact that even though the potential for creepy sequences, the scary and unsettling parts are a bit few and far between. 

"I've made a huge mistake."

I?m not saying The Gift is a bad film?not at all.  The story is written well, the characters are interesting, the performances are incredible and the visuals are fantastic but the film moves way too slowly and that ends up hurting a lot of the intrigue the film features and the potential tension many scenes have.  So, yes, I didn?t think the film was bad.  I just thought the film was decent and serviceable.  Granted, the film ended up being different than what the trailer sold it to me as?and that?s a good thing?but the product felt sorta like it wasn?t making use of all its potential and it ended up just being a good, average film.  Finally, the film also makes me want to make sure I never, EVER, am mean to anyone ever again and even call people from my past and apologize for even the smallest of slights.

Tuesday, 27 October 2015

Exodus: Gods and Kings

***DISCLAIMER*** The following review is entirely my opinion. If you comment (which I encourage you to do) be respectful. If you don't agree with my opinion, that's fine. To each their own. These reviews are not meant to be statements of facts or endorsements, I am just sharing my opinions and my perspective when watching the film and is not meant to reflect how these films should be viewed. Finally, the reviews are given on a scale of 0-5. 0, of course, being unwatchable. 1, being terrible. 2, being not great. 3, being okay. 4, being great and 5, being epic! And if you enjoy these reviews feel free to share them and follow the blog or follow me on Twitter (@RevRonster) for links to my reviews and the occasional live-Tweet session of the movie I'm watching! In fairness, I've watched far worse religious-based films.  Far worse.



Exodus: Gods and Kings ? 2 out of 5

2014 must have been the year of the Old Testament films because not only did we get to see Christopher Nolan?s Batman be Moses but we got to see Maximus be Noah. Okay, sure, that?s two movies and doesn?t really constitute any real sort of pattern or theme but getting two films from the Old Testament where God was a tad bit of a murderous dick was a bit of a surprise?but not as surprising as how fucking boring this film was.

Sure, the movie sucks but, damn, that looks awesome.  I want it airbrushed
on the side of a van!


After seeing John Turturro get pissed on by Bumblebee
I just can't see him as a pharaoh.
In 1300 BC, the Egyptian pharaoh Seti I (John Turturro) is told of a prophecy where one of two men; Moses (Christian Bale) and Ramesses II (Joel Edgerton), will save the other in the heat of battle and will arise to be a leader. During battle, Moses saves Ramesses? life and the two men are burdened with seeing the prophecy come true. Soon, Moses learns from a Hebrew slave called Nun (Ben Kingsley) that he is, in actuality, Hebrew, while Ramesses becomes the new pharaoh after Seti dies. When Moses true lineage is revealed to Ramesses, he is exiled to die but ends up becoming the leader of the Hebrew people and decides to have their shackles of slavery broken and free them from the oppression of Egypt after he is visited by a representation of God. When Moses' rebellion proves to not be working fast enough, God intervenes and brings about ten plagues on the Egyptian people (you know the ones) and, eventually, Moses sees his people across the parted Red Sea and into freedom. But first, he must settle things with Ramesses?

Ben Kingsley, ladies and gentlemen, doing the "I'm trying to hide my boner"
sitting style.

I was accused by a friend of faith that the only reason I didn?t like this film is due to the fact I?m an atheist but, I would wager, that even if I was a man who thought there really was a God and all sorts of supernatural stuff, I probably would have still seen this film as boring. As I?ve proven with my review of Noah, I don?t have to be a believer to enjoy a film that is religious in nature?although, I do find many of them laughably awful. Especially the ones that try to argue that Christians are a persecuted group in America *COUGH?God?s Not Dead?COUGH* However, Exodus: Gods and Kings was just so damn bland.

So...how high do you get if you inhale that smoke?


Director Ridley Scott provided some great visuals in the film, the special effects were great and the cast is composed of very talented people but none of these things change the fact that none of the drama felt like it had any weight to it or escape the nagging feeling that the film was just going through the motions. Additionally, some odd, comedy-esque timing with a sequence that involved hanging those who stood in Ramesses? way of finding Moses didn?t help things.

And here's a very obvious rubber child...did I miss when they announced this was
a comedy?


I also can?t review this film and not address the controversy that followed it with the fact that British and American actors (with notably pale skin) were given some bronzer and brought in to play Egyptians. We already have to face the reality that so many of the industries in our entertainment world seemingly fight against diversity but having the guy from American Psycho play a Biblical character and seeing Owen Lars from Episode III take on being an Egyptian pharaoh almost felt like a poke in the eyes of every non-white actor. Granted, I think Joel Edgerton and Christian Bale are both phenomenal actors but I didn?t see them as Ramesses II or Moses and it was ?ber-distracting. Additionally, I find it amusing that people who yell at the ones upset about this to be quiet and how it?s all about "finding the right actor for the part, not the skin color" are the ones who were probably pissed because the Human Torch is being played by a black man. Ridley Scott said the reason we see this "white-washing" in Exodus is because he never would have got the movie made if he didn?t go with household named Caucasians. However, judging entirely by how boring the film is, that probably wouldn?t have been a bad thing.

At the very least, we could have been spared another performance from Aaron
Paul that can't hold a candle to his performance in Breaking Bad.


To think...Ramesses could have won a Grammy...
buried in his jammies.
Look, I can overlook that we had very pale people trying to be passed off as Egyptians and such because the film has some fantastic looking special effects and visuals but all of this can (and does) become moot if there isn?t a story that is engaging and captivating. I may not be a man of faith but I can understand its existence and can even sympathize with characters that are battling it or accepting it. I felt the struggle Noah went through in?well?Noah because that film presented an uplifting and powerful story that highlighted the conflict and drama. Exodus feels, like I said, like it is just going through the motions. The drama, the tension, and the conflict all feel empty and vacuous. There is no weight or gravity behind it and it makes the story of Moses a very bland, very flavorless, very vanilla one (that's not a pun on skin color). I?m not one to ever turn off a film and never come back to it but this one I had to watch in chunks over a course of several days because it was just that flippin? boring and barely passable. Hell, even the acting wasn?t that spectacular and the cast was filled with actors who consistently blow me away.


Now, imagine him saying, "Let my people go," in his Batman voice.


Every single one of those frogs are claiming to be
descended from the Budweiser frogs.
One thing, I will say, that I did find very interesting about the film was the ten plagues. Sure, I could sit here and say it was because it was a special effects extravaganza but the real reason I found the plagues, and subsequently the parting of the Red Sea, cool was that Ridley Scott showed these things happening in a way that offered up both a supernatural answer and a more skeptical, less fantastic reason?it really all depended on how you wanted to look at it. Sure, in the end, these things happened because God made them happened but the way they were presented in a way that the Egyptians could easily believe that this wasn?t a God-sent plague but rather Mother Nature being a bitch was a neat touch.


The sea ran red like blood only because the guys in the boat were calling the
crocodile an alligator.


Okay, so Exodus: Gods and Kings wasn?t for me because I couldn?t get invested in the story but, I do have to say, the Red Sea part was pretty badass and seeing Ramesses and Moses come head-to-head as the sea is coming back in was pretty fucking epic?but it meant I had to sit through two hours of bland fluff that feels like it is lackadaisically going through its story. 2014 was one for two with its Old Testament films.