Showing posts with label satire. Show all posts
Showing posts with label satire. Show all posts

Monday, 30 November 2015

Spy

***DISCLAIMER*** The following review is entirely my opinion. If you comment (which I encourage you to do) be respectful. If you don't agree with my opinion (or other commenters), that's fine. To each their own. These reviews are not meant to be statements of facts or endorsements, I am just sharing my opinions and my perspective when watching the film and is not meant to reflect how these films should be viewed. Finally, the reviews are given on a scale of 0-5. 0, of course, being unwatchable. 1, being terrible. 2, being not great. 3, being okay. 4, being great and 5, being epic! And if you enjoy these reviews feel free to share them and follow the blog or follow me on Twitter (@RevRonster) for links to my reviews and the occasional live-Tweet session of the movie I'm watching!  Next movie needs a crossover with Jason Bourne and James Bond.



Spy ? 5 out of 5

Spy comedies are nothing new.  There?s been a few of them and they often vary in the quality department.  However, when I heard that a writer/director I really enjoy; Paul Feig (the man who is, according to people of the internet, super evil because he?s being the Ghostbusters reboot?the remake that, also according to people on the internet, will erase all memories and copies of the original film due to the lack of dicks in the story), was creating a spy comedy with a comedic actress I really enjoy; Melissa McCarthy, I was very excited but never got the opportunity to see it until it came out on Home Media (but that?s because of my own spy stuff I had to do?but don?t look too much into that because I might have to kill you if you learn too much?or give you a stern talking to and have you pinky swear you know nothing about my job).  

But if you tell anyone, I will threaten you by vigorously shaking my fists.

Jude is here to lay down some law...I'm truly sorry for
that one.
Spy tells the story of CIA analyst Susan Cooper (Melissa McCarthy) hitting the field after the agent she works with; Bradley Fine (Jude Law), is murdered while on operative must try to find a suitcase nuke that?s in a location known only by the daughter of an international terrorist (Rose Byrne)?who, just so happens to be, the same person who killed Fine.  However, along the way, Cooper must compete with an irritate and rambunctious agent who keeps mucking things up (played by Jason Statham).  Now Cooper must find the location of the nuke before it?s sold to the highest bidder and is unleashed on the world and avenge her friend?s death.

It's hard to make killing a man funny but Feig and McCarthy did so and made
it look so easy.

Bobby Cannavale is in the film...and seems to be
rocking some guyliner.
I figured that Spy would be funny because I?m a fan of Paul Feig and Melissa McCarthy but I don?t think I was prepared for exactly how funny it was going to be.  The story is incredible solid and build on a foundation that creates a decent spy thriller with surprisingly good action but, at the same time, does a great job of poking fun at the genre.  The cast is incredible and a fantastic mix of proven funny-makers like McCarthy and other actors not necessarily known for comedies but all doing an amazing job of bringing the laughs?for example, Jason Statham was absolutely hysterical as he played a slapstick-y and goofy character that I?ve never ever seen him play before.  Finally, the comedy is unrelenting and gags and jokes are coming at you fast and nonstop.  Everything from simple jokes that rib spy and action film clich?s to slapstick humor to gross out jokes to more vulgar insult based lines litter almost every second of the film and it had me laughing so hard and so often that I was brought to tears every few minutes and found myself actually exhausted from how much I laughed.  I slept like a baby that night.

Every time I see Rose Byrne is in a comedy, I always try to convince myself she won't
be funny but I'm always wrong.  I really need to end this ridiculous preconceived notion.

I have a lot of friends who aren?t fans of McCarthy because they see her as a one trick pony who only does films that involve her falling down and making cracks about her being fat (yet, when Chris Farley made this his career, it was considered brilliant?but I won?t get into the systemic sexism of comedy and the entertainment business here) but while those gags can be seen in the film on an occasion (and they are funny), this film also makes fun of those tropes with jokes about McCarthy not wanting to be seen that way and gags about her actually being a true badass.  Some characters want to light her up as the funny fat person but her character is actually a dedicated agent who wants to do a good job and is actually really handy with a gun and in a fight.  In fact, this film even does one better by making her be the tough one and having the man who usually is doing the fighting (Jason Statham) be the one who messes up and falls down.  It?s honestly some immensely brilliant comedy writing and just another reason that I am such a fan of Paul Feig and his work?and, just to incite the rage of the internet, I?m excited as hell for his Ghostbusters reboot.  Yes, hate me for not hating a film that hasn?t even been released in trailer form yet.  I know it?s weird that I?m excited for something rather than hating it based entirely on casting decisions alone.  I?m a rarity on the ?net.

Yes, that man is Jason Statham...and the look actually works for him.

Any complaints I have about the film are minor and involve a couple of missteps in the story.  Occasionally, a plot point felt superfluous and unneeded but it never took away from the immensely entertaining experience.  And sure, there was a joke or two where I laughed very slightly less hard than other times but, seriously, from beginning to end I was laughing my ass off to this film and was intensely entertained.

The longer you stare at the look on McCarthy's face the funnier this screenshot
gets.

Paul Feig wrote and crafted a spy comedy that takes itself seriously enough to look like a legit spy film (seriously, the action in this film is really, really good) but, at the same time, balanced itself out with some of the best humor I?ve seen in a film this year.  Spy is definitely one of those comedies that I will turn to repeatedly in the future because it is just that well put-together and just that hysterical.  And, if it?s not asking too much, I would very much love to see this turn into a regular franchise and see more wild and funny adventures of Susan Cooper.  I'll consider it a personal favor, Mr. Feig.

Tuesday, 27 October 2015

Turbo Kid

***DISCLAIMER*** The following review is entirely my opinion. If you comment (which I encourage you to do) be respectful. If you don't agree with my opinion (or other commenters), that's fine. To each their own. These reviews are not meant to be statements of facts or endorsements, I am just sharing my opinions and my perspective when watching the film and is not meant to reflect how these films should be viewed. Finally, the reviews are given on a scale of 0-5. 0, of course, being unwatchable. 1, being terrible. 2, being not great. 3, being okay. 4, being great and 5, being epic! And if you enjoy these reviews feel free to share them and follow the blog or follow me on Twitter (@RevRonster) for links to my reviews and the occasional live-Tweet session of the movie I'm watching!  Wait...the kid isn't going Turbo, is he?



Turbo Kid ? 4 out of 5

How do I even start with a review of Turbo Kid?  How about the NSFW Red Band trailer?  Sure, we can start there because I have no ideas on how to create a working opening paragraph.  Note:  If you don?t like blood and all around gross gory stuff you probably shouldn?t click play on the video.



Heck, while I?m at it, let?s watch the original short that this film was spun from.


The Kid is wearing a helment...which makes him more
responsible than 99% of all Harley riders.
In the future world of 1997, the world has become a radioactive wasteland and the human race barely clings to life.  A loner young man who obsesses over a comic book named The Kid (Munro Chambers) finds his world thrown for a loop when he meets an odd young lady who calls herself Apple (Laurence Leboeuf).  When Apple is kidnapped by a local murderous tyrant who calls himself Zeus (Michael Ironside), The Kid must find his inner superhero and team with a gruff cowboy named Frederic (Aaron Jeffery) in order to save Apple and bring down Zeus? empire of evil.  And it gets very bloody along the way!

It's such a wasteland that the cover of Dianetics has even stopped erupting.

Turbo Kid combines some amazing things to craft a really fun and entertaining (and bloody) comedy.  The film takes one part Grindhouse gratuity and mixes it with what the 80s thought the 90s were going to be like and the ridiculous excess of that era's sci-fi.  The movie succeeds overwhelmingly with feeling like it was lifted directly from the over-the-top 70s and 80s cheesefests that came out and it makes the film extremely fun.

This henchman of Zeus' is named Skeletron and that's just a kickass name.


His codpiece is far less kickass, however.
  

While the BMX chase scene isn't as awesome as
anything in Fury Road, it's still very amusing.
One thing I really enjoyed in this film was the emphasis on substance with its style rather than vacuous flash.  The film feels like 80s excess and 70s Grindhouse without having to actively parody this style.  The film abandons adding in film scratches or editing mistakes in order to create this satirical feel and rather presents the film as a fun and loving representation that is honoring this style rather than mimicking it.  Tarantino making poor film stock quality gags in Death Proof work for what he was making but seeing that this film doesn?t try to copy the aesthetic feel of a Grindhouse but rather has the spirit of it living inside the story.

"I have the power that is different from another power so I don't get sued!"

The performances in the film are very good and really help keep the film from becoming a gimmick.  The characters aren?t the deepest but the performances make these people fun and easy to invest in.  While it?s a given that Ironside would be awesome as the film?s bad guy (because Michael Ironside is awesome, it?s a scientific fact), one thing that surprised me was how good Munro Chambers and Laurence Leboeuf were as The Kid and Apple, respectively.  Both are very entertaining but they also had a really strong chemistry that made their friendship the focal point of the film and turned all the comedy and gore into icing on the cake.

Apple comes off strange but that kind of strange that you can't help but love.

We should all be so lucky to have an awesome
last name like Ironside.
This movie clearly isn?t for everyone due to the reality that this film is gory as hell (I think I mentioned that a few times).  The film loves its gore gags and the blood fountains are abundant in the running length.  While a weirdo like me finds these gags that involve lots of blood and horrible things happening to random henchmen and organs being pulled out of people?s body by bikes to be great dark comedy, some might find this horrifying.  Don?t worry, that?s okay.  It?s just means that you aren?t completely broken like I am.  You might enjoy the more innocent gags of the film?which, coincidentally, I found these parts to be the weakest moments of the film because they were so painfully unfunny and felt like throwaway sequences after some brilliant use of gross out bodily harm humor.

True addiction is continuing to smoke even after you lose a hand.
All addicts take note.

Turbo Kid is one of those fun, unique films that can only exist in a time that has the internet.  While the movie feels like it belongs with all the other odd and cheaply made sci-fi films of the late 70s and early 80s, the premise is too self-aware and too out-there to belong with them and can only really exist in a time where we can crowd source such insanity (because a studio wouldn?t take the risk).  While the film may fumble with some of its more G-rated humor, the story is rich satire that is filled with gory fun, cool characters and a great synth-based soundtrack that really sells the fantasy of what the 80s films thought was in-store for the future in the 90s.

This is the first thing you see on the film and it immediately sets the tone perfectly!